BADFINGER BABY BLUE SONG TV

(Light Album) * It s All Over Now, Baby Blue, a song by Bob Dylan. single.ĭespite Badfinger's four top-20 Apple singles, Badfinger would only release one more single, ' Apple of My Eye' in December 1973, on Apple Records.īaby blue (disambiguation) - Baby Blue may refer to:In music: * Baby Blue (song), by The Beach Boys from their 1979 album L.A. (Apple 42), 'Baby Blue' was never actually released as a U.K. Although the single was even assigned a release number for the U.K. remained unaware of its commercial potential.

gave the song a picture sleeve and a remix to ensure that it was a hit, Apple U.K. operation at the time was strongly evident with regard to this song. However, the chaos that was enveloping the Apple U.K. It would become the group's last Top 20 single, peaking at number 14 on Billboard's Pop Singles chart. single version' for the song in February 1972. Because Al Steckler, the head of Apple U.S., felt that it needed a stronger hook in the opening, he overdubbed reverb on the snare drum track in the first verse and the middle eight to create a 'U.S. in March of 1972, in a blue-tinted picture sleeve. 'Baby Blue' was released as a single in the U.S. Ham wrote the song about a woman named Dixie Butz, whom he had dated during Badfinger's last U.S. A top ten hit at both ends of the Atlantic, Day After Day still feels like a ravishing masterpiece.(1973)' Baby Blue' is a song recorded by the rock/ pop band Badfinger for inclusion on their 1971 album, ' Straight Up.' The song was written by Pete Ham, produced by Todd Rundgren, and released on Apple Records. Producer George Harrison elevates things further with a wonderful slide solo, while the mighty Leon Russell adds piano. With its unassailable melody, plaintive vocals and lovestruck sentiment, this is Pete Ham at his aching best.

BADFINGER BABY BLUE SONG TV

The song enjoyed a steep popularity spike after its inclusion in the climactic scene of US TV series, Breaking Bad. Initially the second single lifted from the Todd Rundgren-produced Straight Up, Baby Blue is Pete Ham’s passionate ode to Dixie Armstrong, whom he became involved with during Badfinger’s final tour of the US. When it came to supplying songs for the soundtrack of The Magic Christian (starring Peter Sellers and Ringo Starr), the Beatle took the producer’s chair and donated it to Badfinger, who added lustrous three-part harmonies. Paul McCartney demo’d this infectious nugget during the sessions for Abbey Road in July 1969. Joey Molland’s guitar solo is memorable too.

No Matter What (1970)Ī chunky guitar motif and rich melody form the backbone of one of Badfinger’s most anthemic tunes, a declaration of loyalty and affection with a Beatlesy middle eight and the kind of hook that became synonymous with the soulful power pop of Big Star and The Raspberries. This tough-rocking boogie spliced together Ham’s Meanwhile Back At The Ranch with Joey Molland’s Should I Smoke? to thrillingly epic effect. Meanwhile Back At The Ranch / Should I Smoke? (1974)Ī contractual feud between management and record label meant that Wish You Were Here was withdrawn just weeks after its release, thereby consigning Badfinger’s last great album to oblivion.

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The original, co-written by Pete Ham and Tom Evans, is less saccharine and more understated, delivered with a genuine sense of anguish. Once described by Paul McCartney as “the killer song of all time”, Without You has been covered by close to 200 artists, most successfully by Harry Nilsson in 1971 and, 23 years later, Mariah Carey.

Badfinger baby blue song